Jerome Finkelstein
October 12, 1928-March 23, 2026
(read full obituary here)
This is a tribute to Jerry's influence on and mentorship of two of our previous writing groups: Monday Night Writers and Plotters Ink.
While it isn't possible to capture Jerry's essence - or his raspy voice - in a blog post, perhaps reading some of his unique flash fiction will conjure some fond memories of our long-time leader and friend.
As I scrolled through his stories, I was surprised (but shouldn't have been), that many of them dealt with death and loss. But there's also his wry, suggestive humor, some period pieces, and always his keen observations of human nature.
Readers: Please feel free to comment on any or all of the stories below. You will have to scroll all the way through to the end, though. Enjoy.
- - - CJA
From Monday Night Writers Group
There's No Place Like Home
by Jerry Finkelstein - Copyright 2011?
What a downer!
Dorothy, just back from Oz, looks straight at you and, smiling through her tears, says, “There’s no place like home.” Are you kidding me? You just came from one of the most amazing adventures any girl got to live and that’s your message? Take another look outside the door of your one room house and what do you see? A dreary Kansas landscape, dried up cracked earth, no green grass. Everything is in shades of brown. You’re living a life in poverty and depression. You’re living a life in sepia.
Sure, you’ve got Uncle Henry and Aunt Em. You love them and they love you, although we didn’t see them put up much of a fuss to find you while you were gone. The farmhands, don’t you think it’s about time you got someone your own age for a playmate? In your life at home there are no wizards, no witches, no flying monkeys. All you have to make you miserable is an old biddy on a bike ready to steal away Toto, your barking, snapping dog. But there’s no magic. There’s no color.
You sang beautifully of a wondrous land beyond the rainbow. You found out you have to leave home to get there. At home you dream in vain of a knight in shining armor. Here at home there are no heroes. There are no puzzles to solve. Did you know that when you wished yourself home to stay you put aside any chance for glorious love? There is certainly no chance to be a Nobel prize winner and one day to win a life changing lottery ticket, to wake up smiling, without the tears, in a strange bed, a strange room, a strange house. No chance to be lucky.
Dorothy, I beg you. For the sake of all the children who watch TV, think over the message you left us at the end of the movie. Let us see you pack your little suitcase, wave goodbye to Henry, aunt Em and the boys, hop, skip and jump down the road and get out of Kansas. There may be no place like home, but get out of there. Now.
While the Storm Clouds Gather Far Across the Sea *
Disappearing Acts
by Jerry Finkelstein, copyright 2015
If you're talking about secrets you're talking about Sylvia, Sylvia Platt. She might have changed her name since the old days, but that was her, Sylvia and her million secrets. Maybe not a million, but she had a lot of them.
In the old days, the days of the sweater and the bobby sox, she practiced her Ava Gardner smile in front of the mirror until she got it just right. Then she worked on the look. And then the walk. Finally, she turned and came on to you, the face, the terrific body in the tight sweater, the smile, the slow walk. You had to hold your breath, maybe step back a little before something embarrassing happened. Something swell was going on and she knew all about it. And she wasn't telling.
She was telling Alex. He knew all about it. He had her on Tuesday nights. Her parents were out on Tuesday and that was the night for Alex. Afterwards, our gang of four got the details. But he didn't tell all. No one tells all. Do you tell about the time your arm fell asleep because she rested her head on it for half an hour? Or the time you rolled over and fell off the couch. Good for a laugh but there are some things you just don't talk about. Sometimes I was with her on Fridays. Just kissing. Never unbuttoned my shirt, never unzipped my pants. And she never told me a thing.
The last time I saw Sylvia she was pushing a baby carriage down the street. I hardly recognized her. She was older, of course, this was after Alex married Marilyn and the rest of the four moved out of the city. She smiled and said hello. The look was gone. She was busy sucking on an ice cream cone.
I always wondered what happened to Sylvia. She was bound to disappear. Too many secrets, too many promises. At some point she's not there. We didn't talk. I nodded my head and walked by.
Some Stubborn Guy (or, Two People Talking)
by Jerry Finkelstein, copyright 2014
Louie's got a short fuse.
You can say that again.
He just blows up. He goes berserk.
You don't see it coming.
Flies off the handle. Just like that.
You got that one right.
Some stubborn guy. And what a sore loser.
Even back then, when we were kids, he'd let off steam throwing stones at windows.
At the Casino, last week, they called security to get him out. What an embarrassment.
He'll never play there again.
Last winter, remember, he blew his top because he got ticketed in the Publix parking lot. He forgot his brother's handicap sticker and thought he'd get away with it.
He should know you don't screw around with the handicapped people in Florida. Half the people down there are handicapped. They got a big lobby in Washington. You want to stay away from them, better safe than sorry.
Especially when they're driving, they're dangerous.
You don't want to go near them.
They're worse than Louie.
At least Louie knows how to drive. He just gets angry. Like tonight.
Well, can you blame him? She cut right in front of him. We could have had an accident. And she didn't even stop to see if we were all right. The car almost flipped.
Would you call it road rage, what Louie went through when he hit the guard rail?
I don't think so. Road rage you get only on the road, in a car. I don't think you get road rage if the car is not moving and you're parked in a Publix parking lot. I don't know what Louie's got, but whatever it is he's had it since before he threw stones at houses.
What Louie has, he has anywhere, anytime.
Poor Sylvia.
What's wrong with her?
She has to live with him.
I thought we were talking about Louie.
We were. Now I'm talking about Sylvia.
The Truth of the Matter
by Jerry Finkelstein, copyright 2014
We had all just come from the cemetery. We washed our hands at the doorstep and then entered the house to eat, to mumble something about life goes on, to talk of our memories. To commiserate.
He was a tyrant, said one of the sons. He was strict. Too strict, echoed another son. Stubborn, added the first son. There was no one more stubborn, did you ever meet anyone more stubborn? He was stubborn, you got that right, said a daughter out there in the crowd of family. Let's face it, said the son who called him a tyrant, he was a bastard. But you'd never know it from all the eulogies we heard this morning. Who was that guy they were talking about? Not my father. I didn't know who they were talking about. I looked for him in the obit. I didn't find him, he wasn't there. They had his name spelled right, but he wasn't the man I knew. I didn't know who they were writing about. The son doing all the talking looked at each of his nephews and said, You better write this down, and all your life write it all down because no one is keeping track of what is going on. Don't count on your memory because that's going to go. And besides, memory changes everything. So write it now. Keep writing it. Someday you'll wonder what happened. You'll know because you wrote it down.
Well, I wrote it all down and that's the way it went. My uncle didn't stop his rant about his father. Others agreed, adding their own stories that happened a long time ago. Others thought he mellowed as he got older. Others didn't know what they were all talking about, they didn't remember any of these stories, the man is dead for Godsakes, let's forget about it and move on.
We all moved on and a lot of us passed on. I'm lucky I guess, I'm still around, still writing it down. Sometimes I do wonder what happened. And lately I wonder about that a lot. Did I get it straight, the way it was? I couldn't get it all down. By leaving something out did I change the story? I guess it's turning out to be my story and never mind about getting at the truth of the matter.
Mirrors Would Do Well to Reflect Further
by Jerry Finkelstein, copyright 2014
When no one is watching I look in the mirror and fuss with my hair. A little more gel. Maybe not. I don't think I'm using the right comb, is there a right comb? Mine has some of its teeth missing. Maybe that's it. Smooth it down there, a little more gel will do it. Jeez it just won't stay down, the part is all wrong and it's standing up again. I throw the comb and the brush off the sink and to the floor and I yell out a word my mother doesn't like to hear. She's right on it and calls out, "Is everything all right in there?" I'm busy cursing, am I crying? But this she doesn't hear. I pick up the stuff from the floor and start all over again. What for, nothing's going to change. If anyone touches my hair tonight, I swear, I'm going to kill him!
I look for pimples that aren't there. I'm close to the mirror now finding the blackheads. Gotcha! I'd die if I had a bad case of acne, no way do I want to grow up with a pockmarked face like Robert Redford. I find the mole. It's still there. Mom says it's a beauty mark. But it's a mole.
I hold the cigarette this way and that, trying out different poses but none of them seem right. I'm not even sure how I want to look with a cigarette in my hand or in my mouth or putting it out in a cigarette holder. The mirror is too small and the bathroom is too small and the whole five room apartment is too small for me to move around in, to see what I look like lighting a cigarette, holding it, walking around with it, sitting on the couch and taking a few puffs. One of these days I'll drop the bomb and tell Mom I'm moving out of here. Not anytime soon. I'll tell her. Maybe next year. Once again I'm looking in the mirror and combing back my hair. But I'm thinking, what's the hurry? Not next year, maybe the year after that.
Family Gatherings
by Jerry Finkelstein, copyright 2013
It didn't take much to get her up to my house and into bed. Some drinks, dinner, a few more drinks, is all.
In the car she was light-headed, giggly, laughing all the way. In the house she was unsteady on her feet, she held the wall all the way up the stairs. In the bedroom she skipped a few steps, staggered a bit and finally fell on the bed. And she was an incessant talker, saying things like, What am I doing here? I can't believe this! I can't believe me! Quickly I ran down stairs and got her another drink.
"Oh God," she giggled. She undressed with the new drink in her hand, she didn't spill a drop. "What would my mother think?" She giggled, laughed some more, hollered, whispered, hissed. And then she introduced me to her father. "He'd never approve," she said. He'd want to know what I did for a living. I got to know her sister, she'd ask if I were Catholic. Her girlfriends were here too, laughing with her, teasing her, telling me she needs another drink.
The bed was getting too crowded for me. "How many people did you bring here with you?" I wondered out loud. Naked, I hopped off the bed and looked into the bathroom. "No one here!" I shouted. I fell to my knees and looked under the bed. I ran to the closet across the room. "Look," I said, "I don't see anybody here either, do you?" I made my way back to the bed. She was looking at me as if I were mad.
I said, "Nancy, dear Nancy."
"Becky," she corrected.
"Becky," I said. "What frequency are you on? There's only the two of us, no one else is here. I looked. There's just you, just me. And it's a little late to get approval from your mother. Back in the bar you told me she was dead."
This time she didn't giggle. She sighed. She put her drink down. She looked up at me and said, "Yeah, but I bet she's turning around in her grave."
"Yeah," I said. "And we are still here. What are you going to do about it?"
The Blondes in My Life
by Jerry Finkelstein, copyright 2012
I knew Madeleine Carroll was beautiful even before she took off her glasses in The 39 Steps. And when she untied her hair I knew she was the most beautiful woman in the world. Hitchcock was famous for movies filled with suspense but I went to see them for his blondes: Tippi Hendren, trapped in a telephone booth, viciously attacked by a sky full of birds; Eva Marie Saint, in high heels and a tight dress, climbing over the nose of George Washington at Mt. Rushmore. Grace Kelly, I’ll never forgive Hitchcock for putting her in harm’s way in Rear Window.
There were other blondes, of course. Lana Turner, was there anyone more blonde, more dangerous? The blonde goddess, dressed in white, the most beautiful woman in the whole world. Who could compare? Beauty, in King Kong, didn’t come close.
There were no blondes in my neighborhood. The streets were filed with dark haired Jews, Italians and Greeks. The Irish were miles away, it was a long walk. Redheads were rare, you didn’t go looking for Rita Hayworth down the block or across the street. Your dates were never more adventurous than a show downtown and maybe a dinner afterwards. You went steady and sex happened and it was fun, but it was never with the hot, smoldering looks of Barbara Stanwyck in a blonde wig. There was never a sense of real danger, like there she is facing you, telling you how much she loves you but there is a gun in her hand and she’s pointing it straight at you. Let’s face it, it’s never like that in real life. In real life you settle.
But that’s what movies are for, right? Movies, the stuff that dreams are made of. And they’re the dreams that money can buy. Madeleine Carroll, she had me then back in 1935. She’s got me still, along with the rest of the blondes, spellbound.
You Must Return the Book
by Jerry Finkelstein, copyright 2011
You must return the book!
These People
by Jerry Finkelstein, copyright 2011
Why do people insist on showing off the pictures of their grandchildren? They never let up. Everywhere and every time, without being asked, they reach for their wallets or cell phones and shove the pictures into your hands. Their faces are smiling, as you might expect, but they are also glowing with absolute pride and joy. I don’t get it.
These people never ask you if you are interested in the latest addition to their clan. The picture of the baby, in any event, is interchangeable with any other picture of a baby but that doesn’t seem to matter. You are considered rude if you point out the physiological similarities among the newborn. And you are considered downright offensive if you show any lack of interest in their adored darlings. Never mind about your feelings, they are beside the point of the offering up of their grandchildren.
They just do it and as they do it an interesting sociological dynamic is soon evident: The doing it serves as a cue for all others gathered around to offer up their pictures of their grandchildren. Mind you, no one asked anyone to see these pictures. Is anyone here really interested in anybody else’s kids? Suddenly, I’m invaded by a barrage of cell phones and paper children. Sometimes I do not know most of these people, I’ve just been introduced or they are strangers in line in front of me paying their bill at Friendly’s. It doesn’t matter if I know them or not. What does matter is that I ooh and ahh and say warm and lovely things about the blurry, badly lit kid on the tiny monitor. The day is coming soon when I will have courage enough to be honest and say, I wouldn’t show this one around, if I were you.
From Plotters Ink
Millie is Remembered
by Jerry Finkelstein , copyright 2016
The thing about Millie was her smile. It wasn't a killer smile, it wasn't a Julia Roberts smile that lights up the sky. It was just an ordinary smile, reserved, somewhat slight, just enough to open her mouth a bit and show off her white teeth. It was the way she did it that got you. Her eyes seemed to brighten at first and then she looked straight at you, a stare really, like a deer caught in the lights of a speeding car. But there she was, a nice kid really, the youngest of our bunch, walking in, saying hello everybody, giving hugs, giving out her homemade cookies, telling us about the good news she just heard from the hospital.
Not much to say, really. Smiles a lot. Hugs a lot. Touches a lot too. Like from out of nowhere she's scratching your back. Or her fingers go walking up and down your arm. So you move your arm away and you look at her and say, Everything all right? She looks right back at you and smiles or giggles and shows her teeth.
I look over the small crowd and wonder did anyone know her beyond the hello and the smile and the giggles and her bag of cookies? You didn't get much out of her when she talked. She worked in some office, doing what exactly? She lived, where? Her only family is her brother. Anyone know him? Is he here today?
My turn? Okay. Yeah, Millie did smile a lot. She was smiling even when she told me about her treatments. And her stories about her months in rehabilitation were really funny, even I laughed.
Millie didn't laugh. She just smiled and giggled. I'm sure she was smiling when they were wheeling her in for her surgery.
Me? I'm a bit pissed off. You came into my life, Millie, with a smile and a few cookies. You said hello, and that was it?
I wanted more.
Such Good Friends
1 comment:
Just love Jerry’s writing. It was as much history lesson as witty story. Had a lot of good times at the writing club and Jerry was a big part of that.
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